Stereoscopic Digital Cinema accompaniment
form 1.0 July 11, 2007
Approved for Distribution July 11, 2007 Digital Cinema Initiatives, LLC, Member Representatives Committee
procure © 2007 Digital Cinema Initiatives, LLC
DCI Stereoscopic Digital Cinema Addendum v.1.0
1.
INTRODUCTION
This document defines high-level technical requirements and specifications for the mastering, distribution and theatrical playback of stereoscopic digital cinema content. This document shall be integ respectd into DCIs Digital Cinema System Specification.
2.
2.1.
STEREOSCOPIC DIGITAL picture show REQUIREMENTS
Single Inventory of Stereoscopic Digital Cinema Packages (DCP)
A star stereoscopic DCP shall be able to be utilise for all stereoscopic implementations (e.g., no stereoscopic exhibition governing body shall require a unique color or slow-wittedness timing). It is not required or intended that the same experience track file used for stereoscopic DCPs also be used for nonstereoscopic DCPs. Additionally, no signal pre-processing unique to any mavin stereoscopic exhibition technology shall be required of a stereoscopic Digital Cinema Distribution Master (DCDM) or DCP.
2.2.
Form of Stereoscopic DCPs
DCPs for stereoscopic presentations shall interleave the left and castigate centre of attention frames alternating at a 48 frames per trice rate. The left and right eye material shall be captured for 24 frames per second presentation. The first frame of each reel shall be left eye, and the last frame of each reel shall be right eye. Image and strait edit points of track files shall only be left eye based. All edits to image and audio shall be performed at a 24 FPS edit rate and shall not disturb the left eye/right eye cadence. Audio track files for non-stereoscopic DCPs and stereoscopic DCPs shall be interchangeable. A single KDM shall be required to decrypt a stereoscopic DCP.
2.3.
forked Link Image Format
In the case of 48 FPS stereoscopic exhibition, it is...If you want to get a full essay, order it on our website: Ordercustompaper.com
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