Actually, thither is little or no innocence or artlessness in the life of the Gladneys. That life had been completely falsified and corrupted coherent before the toxic cloud appeared. The number 1 time we understand Jack and his simple wife Babette, we see that they converse in a way which is as artificial as the families in sitcoms. In sitcoms, family exchanges are dumbed-down to amuse the commonest denominator of viewer, with insults and one-liners replacing human communication. The Gladneys' communication, on the other hand, are supposed to be ironic, whether they know it or not, to appeal to the reader who sees himself as being far higher up that common denominator. The author and his readers know that this family is drowning in irony, even if the family does not.
In other words, DeLillo has as much contempt for the average psyche as do the creators of sitcoms, but he veils his contempt in irony, whereas the sitcom makers do not even try to mask their contempt and the average viewer either does not charge or does not notice. The average viewer of sitcoms watches the stupid father, pestering mother, and obnoxious, unco
"Are the men in hacking jackets? What's a hacking jacket?"
Here is a part of Jack's and Babette's first conversation in the book:
ntrollable children, and feels that his own family by likeness is preferable, as bad as it might be. DeLillo, with the ironic Gladneys, tops his educated, literary readers something to live up to, as opposed to families in sitcoms which give their viewers something to look down upon.
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