Albert , Sidney. Bernard Shaw : The Artist as Philosopher The Journal ofAesthetics and Art Criticism , 14 :4 (1956 , 419-438In Bernard Shaw : The Artist as Philosopher Sidney Albert s main point is as follows : that Shaw consciously and proudly donned the mantle of the philosophical poet , singing to philosophers and nigh philosophers from his dramatic scores (419 . This is primarily supported through his summary of the character of Don Juan , who speaks on everything from life and love to , of drift , local politics .
A major part of the argument for Albert involves how much Shaw has to sacrifice some of the philosophy for art - subsequently all , the man is writing a play and not a philosophical screed , so some things must be sacrificed for others to flourishUltimately , Albert concludes that as artist , Shaw set out to illustrate and indicate in his dramas both the frailty of men and the failings of society which handicap human development and that he went on to suggest to us that we have great potentialities , and a pressing need , for profit (437 . In this sense , the art versus philosophy debate takes on a meta-textual dimension , as the image of Shaw as sapless philosopher represents the idea that his philosophy needs to be perfected , as does the men for whom the philosophy is intended . In this sense , Albert s stopping point renders the debate mostly moot - it is not a takings of art contending philosophy , but art serving as a medium for philosophy . It is...If you want to get a full essay, order it on our website: Ordercustompaper.com
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