The dance pieces depart from vaudeville performances as well, being complex choreographed scenes that tell additional about the story than the lines do. The ballet performance in Laurey's dream sequence specifically relays her feelings and fears about both Jud and Curly. In fact, the score in this musical creates a richer atmosphere by taking advantage of American country music and colloquialisms to give the proper cadence to each scene or phrase of music. This is demonstrated from the songs, "Oh, What a Beautiful Mornin,'" "Kansas City," and "The Farmer as well as the Cowman" and instills the feeling of expansiveness that typifies the American Dream and also the need to push on towards following frontier. Indeed, it's this feeling of expansiveness and the ability to follow your dreams and create your personal happiness that most typifies American Musicals.
Americans, however, have been not the only ones to write musicals. Les Demoiselles de Rochefort (The Young Girls of Rochefort) (1968), whilst nevertheless extremely French in tone and feel, also uses items which are characteristic on the American Musical. Similar to other American Musicals, the storyline in Young Girls of Rochefort is really simple. Twin sisters Delphine (Catherine Deneuve) and Solange (Francoise Dorleac).
Rochefort, but have decided to go to Paris to look for adore and fame. Each young women have suitors which are either as well young or too old for them, although their perfect match eludes them. Yet for both of them, the perfect match is just about the corner in their small town and shows up just in time to give them their content ending.
As in American musicals, the score pervades the movie, giving specific characters theme music, which adds depth for the personalities whilst moving the storyline along. In this case, as opposed to the feeling of broad expanses and frontier atmosphere of Oklahoma, the theme music for your sisters, and indeed throughout the movie, is really a extremely light patter of French jazz, expressive on the light breeziness from the film. This music reflects the nature on the characters, the light, the colors, as well as the seaside port itself, just as the music of Oklahoma! reflects the feeling on the frontier. In 1 example at least the light jazz is disconcerting as the characters sing about an ax-murder that has occurred inside the smaller town.
Additionally, Young Girls of Rochefort uses the convention with the backstage musical to supply even more performances towards audience.
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