Somewhere along this hall of mirrors we find Atwood using literature to try and resurrect voices invoice has withheld, disregarding the cultural myths imposed on them. The idea of rehashing previous(a) tales to spark a new meaning reverberates in Atwoods belief that Myths have and can be used as the foundation for new narratives and perspectives that find their meanings within their own historical moments1. With her engagement with Homer (The Odyssey) and Robert Graves (the Greek Myths) from a feminist, revisionist perspective, Atwood generates some an entirely new myth.
The critic Sharon R. Wilson has remarked that Atwood uses this mythology to replay old stories, pulp new perspectives so that they can shimmer with new meaning2. She adds to the text new techniques, such as pastiche and intertextuality, and music literary genres, which were in vogue at the time of her writing.
Atwood playfully manipulates genre to create a cheerful folly of pastiche in which she explores the notion of identity. In just two of her chapters (chapters 20 and 21) the auditory sense witnesses the text dance between a fictional story and a burlesque drama, both with Gothic sensibilities. In doing so Atwood creates an unstable and ever-changing landscape in which...If you want to specify a full essay, order it on our website: Ordercustompaper.com
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