The History Of Landscape Photography

[Name][Instructor][Course][Date]IntroductionIn his catalogue , Weston Naef termed the period between 1860 and 1885 the golden age of photography and characterized the photographs produced during this early period as works of nontextual matter . His canvas on Landscape Consciousness related developments in American landscape painting and the natural sciences to the emergence of landscape photography . Moreover he singled bulge the work of several photographers for drawn-out formal analysis in the tradition of most art historical publications (201-218 . After some historical background on American landscape photography in 19th exculpated speed , brief discussion and criticism the further turns to the works of openhanded American landscape photographers of the 19th century : Carleton E . Watkins , timothy O Sullivan , and William Henry Jackson . Finally , some conclusive remarks are presentedHistorical BackgroundAt the same time that photographic technologies progressed to the point of allowing for case work , the United States government began to survey the West in to determine the po bivouacial resources these lands held . Photographic documentation quickly prove indispensable in this survey process , and photography became the instance through which the world learned of the unique topologies of the West . spot photography was invented in the late 1830 s , the immediate uses of the medium were irresistibly focused on portraiture . Aside from the huge use up for portraits , there was also a technical reason for the hold number of landscape daguerreotypes : the unwieldy and dangerous daguerreotype process greatly inhibited any attempt to move photography out of the studio (CurrentAnother limitation was the small size of the daguerreotype orbit . Since daguerreotypes became light sensitive by exposing the photographic plates to toxic mercury blues , the use of large plates and the subsequent increase in vapors required to sensitize them simply exposed the photographer to besides much danger .

The small images (2 3 /4 x 3 3 /4 although detailed , were limited in their ability to convey a sense of space . A further limitation on the daguerreotype s landscape capabilities was the inability to make the image . Since daguerreotypes were a one of kind positive image , their ability to communicate to a mass audience was circumscribe (MitchellWith the invention of the collodion or wet plate process , domain photography became a realistic possibility although still a complicated and laborious ordeal . The collodion process used scum plates coated with a layer of collodion , a mixture of gum cotton dissolved in ether The plate was make light sensitive by dipping it in a quiet solution of silver-nitrate . The difficult part of the process was that the plate had to be exposed and processed before it dried or it wooly its light-sensitive properties . As a result , plate forwardness had to be done immediately prior to exposure and and then quickly processed . This necessitated taking a darkroom into the field , normally in the form of a wagon or tent (MitchellThe other advantage offered by the collodion process was its reproductibility . The collodion process produced a negative that could then...If you want to get a full essay, give it on our website: Ordercustompaper.com

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